Musical theatre workshops and productions

About Us

CPA Theatricals, Inc. – Creative Productions And Theatricals – is a 501-C-3 non-profit corporation.  Its mission is the development of new musical theatre productions for the benefit of under-served populations.  In recent years, its primary focus has been to serve female audiences and performers, through the development of musicals incorporating strong female leads.  Its first major project with this focus was the musical 57th NATIONAL MATHLETE SUM-IT, which premiered Off Broadway at the New York Musical Festival and was subsequently licensed by Theatrical Rights Worldwide.  Other shows available for license include THE LAND OF FORGOTTEN TOYS, GIRLHOOD, THE MYSTERY OF CUSTODIA, now licensed by Stage Rights and THE MOMENT.  Currently under development is MILEY CHASE THE SCIENCE ACE.

LCG Entertainment, LLC  – Laugh, Cry and Goosebumps – that is what LCG stands for.  These are the qualities we look for when we create and develop new shows.  LCG Entertainment works directly with CPA Theatricals to create shows.  We work to create new works for underserved audiences.  Audiences that would not normally see shows with casts like ours.

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Larry Little has a theatrical career that has spanned thirty-five years and more than 100 productions, first as an actor/singer/dancer, then as a director and producer.  Along the way he became a Certified Public Accountant, providing an additional range of skills for his most recent role as a creating producer, developing new shows.  Larry is the Lead Producer at CPA Theatricals and LCG Entertainment, LLC, the companies he founded to provide musical theatre for under-served populations.  In recent years, a special focus of the companies has been shows that provide opportunities for female performers, create strong and interesting female characters, and increase outlets for female composers and directors.  His completed projects, all licensed for international distribution and translated into two languages, serve the commercial market and the needs of middle-school, high-school and college performers.  During 2020, with the special challenges of COVID-19 he has developed shows suitable for online, virtual, and socially-distanced productions.


1 Comment

Kenny Chumbley

March 14, 2023 at 10:30 pm

I read your article on MusicalWriters. com about getting a play produced. As a result, I made some tweaks to the pitch I’ve been sending out. You might see your advice in the following:

Why is my show unique? It is a retelling of Dickens’ original Christmas fairy tale that years later morphed into A Christmas Carol, one of the most commercially viable properties ever.

Why this show? Why now? The demand for family entertainment is on the rise. (The secret of Cats longevity is that it morphed into a family musical.) It’s hard to get through December without Dickens, and here is a Dickens that scratches the Dickens’ holiday itch and delivers all the wonderful emotions of A Christmas Carol.

Thanks for your good advice. Might you have a smidgeon of interest in hearing more about: A forgotten Dickens, A Goblins’ Christmas Carol? : )


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